It was ultimately not released to MTV or other outlets. The music video visualized the Irish immigrant experience and the complexities of the American Dream. The single's video appears on Outside It's America, a documentary tracking the band's first few weeks on tour through the American Southwest in 1987. An abridged live version of the song recorded on the Joshua Tree Tour appeared on the band's 1988 rockumentary, Rattle and Hum, but did not appear on the accompanying album of the same name. Sales of the single may have been hampered by the fact that its B-sides were two tracks from The Joshua Tree album instead of the usual non-album tracks. It was slightly more successful in Canada, peaking at number 25 in 1988. 'In God's Country' reached number 44 on the Billboard Hot 100 and number 48 in the United Kingdom as an import. The Canadian release was available on 7', 12' and cassette, while the US release was limited to 7' only. The cover art (photographed by Anton Corbijn), sleeve (designed by Steve Averill), and B-sides (' Bullet the Blue Sky' and ' Running to Stand Still') were identical to those used for U2's 1988 single ' One Tree Hill,' released only in New Zealand and Australia. 'In God's Country' was released as a single in Canada and the United States in November 1987. The first chorus repeats an Em–G–D chord progression while the second chorus repeats a C–G–D progression. Played in the key of D, the verses of the studio version alternates between D and A minor chords. Along with ' Where the Streets Have No Name,' the lyrics and sound of 'In God's Country' reference the desert in accordance with the band's wish for The Joshua Tree to have a 'cinematic' sense of location. The lyric speaks of a lack of political ideas in the West which Bono later contrasted to the revolution in Nicaragua where he had travelled during the recording of The Joshua Tree. The song characterises the United States as a ' desert rose' and a siren whose dress is torn in 'ribbons and bows,' a depiction both 'sad and seductive'. īono has stated that he originally didn't know whether the song was about Ireland or the United States, but eventually dedicated it to the Statue of Liberty. Lanois said, 'What was a fairly straightforward rock track is now undermined by a mood of unrest', which inspired lead vocalist Bono to change his lyrics to give them more dimension. In producing the song, he used a collection of channels in the mixing console designated as sound treatments to adjust the tone of the Edge's guitar to give it a 'beautiful shimmer', which he thought contributed to the song's mood. Despite the location, he said the recording worked because of the 'spontaneity and lack of pressure', which contributed to a good take, a quality Lanois favours to overplanning the recording setup. 'In God's Country' was recorded in the basement of the Edge's house, which producer Daniel Lanois called a 'muggy little room where everything sounds dead' and 'not a particularly inspiring place'. Of the song, Bono said ' lyric was really good, the tune is pretty good, and the hook is pretty average - thanks to the Edge.' Bono tried to inspire the Edge by teasing and playing on his competitive instincts by claiming to be a better guitarist. It was developed out of Bono's frustration at trying to get 'a bit of rock 'n' roll out of the Edge'. During The Joshua Tree sessions, they knew it was not going be one of their best songs but they needed more uptempo songs. 'In God's Country' was a difficult song for the band to record, which they attributed to not being trained musicians, and they do not speak very highly of it. Adam Clayton, on the song's desert imagery But, in the right frame of mind it's also a very positive image, because you can actually do something with a blank canvas, which is effectively what the desert is.'

Most people would take the desert on face value and think it's some kind of barren place, which of course is true.

'The desert was immensely inspirational to us as a mental image for this record.

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